{"id":3456,"date":"2021-05-04T16:52:05","date_gmt":"2021-05-04T14:52:05","guid":{"rendered":"https:\/\/editionstoutechose.fr\/une-plume-de-femme-de-marceline-desbordes-valmore\/"},"modified":"2025-08-25T17:05:56","modified_gmt":"2025-08-25T15:05:56","slug":"une-plume-de-femme-de-marceline-desbordes-valmore","status":"publish","type":"post","link":"https:\/\/editionstoutechose.fr\/pl\/une-plume-de-femme-de-marceline-desbordes-valmore\/","title":{"rendered":"UNE PLUME DE FEMME de Marceline Desbordes-Valmore"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n \n

Pr\u00e9face \u00e0 „Une plume de femme” de Marceline Desbordes-Valmore<\/h2> \n

<\/p>Nous vous proposons trois textes de Marceline Desbordes-Valmore<\/strong> (1786-1859), publi\u00e9s dans des contextes \u00e9ditoriaux divers, qui rel\u00e8vent, formellement, de la po\u00e9sie en prose. \n

\nLe texte Une plume de femme<\/strong> est la pr\u00e9face au recueil de la po\u00e8te Bouquets et pri\u00e8res<\/em> paru en 1843. La \u00ab plume \u00bb est une \u00e9vocation, une all\u00e9gorie du JE po\u00e9tique, tremp\u00e9e d\u2019encre ou de larmes.<\/em> C\u2019est une pri\u00e8re \u00e0 Dieu pour une conception artistique sereine, exempt\u00e9e des sources tristes<\/em>, des souffrances terrestres et des coups du Sort \u2014 qui furent le lot quotidien durant la vie de M. Desbordes-Valmore (ce qui lui a valu le surnom \u00ab Notre-Dame-des-Pleurs \u00bb).
Le rythme de cette composition adress\u00e9e \u00e0 la \u00ab plume \u00bb est scand\u00e9 et soulign\u00e9 par les imp\u00e9ratifs qui s\u2019affirment comme un programme artistique soumis au principe de Cr\u00e9ation.<\/p>\r\n\r\n

\r\n
\"Marceline<\/figure>\r\n
\r\n

L\u2019avenir d\u2019une vieille femme<\/strong> para\u00eet pour la premi\u00e8re fois en 1849 dans le recueil de contes Les Anges de la famille<\/em>. \u00ab On y retrouve \u2014 remarque Marc Bertrand \u2014, plus ou moins discr\u00e8tement \u00e9voqu\u00e9s, un bon nombre de th\u00e8mes chers \u00e0 la po\u00e9tesse, v\u0153ux exauc\u00e9s ou non : le prisonnier pour lequel gr\u00e2ce est demand\u00e9e, la fid\u00e9lit\u00e9 du fianc\u00e9e souhait\u00e9e, la p\u00e9rennit\u00e9 de l\u2019attitude priante, la hantise de la dispersion familiale, la spontan\u00e9it\u00e9 et la noblesse du pr\u00e9sent et de l\u2019aum\u00f4ne, la r\u00e9sipiscence trop facile de l\u2019enfant coupable ; le tout couronn\u00e9 par un ind\u00e9racinable optimisme quasi proph\u00e9tique. \u00bbOn remarquera l\u2019aspect formel de ce r\u00e9cit : le texte cadenc\u00e9 par un refrain \u2014 Dis ta pri\u00e8re, bonne vielle\u2026<\/em> \u2014, le rythme des phrases et l\u2019intensit\u00e9 de l\u2019accentuation, qui font assimiler cet opus \u00e0 la po\u00e9sie en prose. \n

<\/p><\/p>\r\n<\/div>\r\n<\/div>\r\n

\u00c9dith (Le Lord des \u00eeles)<\/strong> est un portrait litt\u00e9raire de l\u2019h\u00e9ro\u00efne du r\u00e9cit en vers de Walter Scott Le Lord des \u00eeles <\/em>(1815), faisant partie du recueil de portraits paru en 1839 (et r\u00e9\u00e9dit\u00e9 en 1842) sous le titre Galerie des femmes de Walter Scott<\/em>, quarante-deux portraits accompagn\u00e9s chacun d’un portrait litt\u00e9raire. <\/em>Marceline Desbordes-Valmore signe six textes de ce ouvrage collectif (\u00e0 c\u00f4t\u00e9 d\u2019Alexandre Dumas, entre autres), dont \u00c9dith<\/em>. En lisant Scott, l\u2019auteure met de c\u00f4t\u00e9 le contexte politico-historique du Lord<\/em>, cher \u00e0 l\u2019\u00c9cossais c\u00e9l\u00e8bre, et se concentre sur la mission amoureuse du personnage principal.Christine Plant\u00e9 analyse ainsi : \u00ab La lecture de Desbordes-Valmore d\u00e9place [\u2026] cet \u00e9l\u00e9ment de l\u2019intrigue vers un motif obs\u00e9dant de son propre univers po\u00e9tique, celui de l\u2019enfermement d\u2019une femme dans le silence et le secret. Elle constitue ainsi \u00c9dith en une sorte de double du je <\/em>f\u00e9minin qui parle dans son texte \u2013 o\u00f9 il est pr\u00e9sent de fa\u00e7on \u00e0 la fois implicite \u00e0 travers l\u2019adresse \u00e0 un vous<\/em>, et explicite dans les vers finaux cit\u00e9s entre guillemets. Pr\u00eatant au personnage sa propre parole lyrique pour dire la grande douleur, gard\u00e9e secr\u00e8te, du manque d\u2019amour, Desbordes-Valmore se montre plus inspir\u00e9e par le sort d\u2019\u00c9dith malheureuse et d\u00e9laiss\u00e9e que par l\u2019heureux d\u00e9nouement [\u2026]. \u00bb \n

<\/p>Qu\u2019est-ce qu\u2019un po\u00e8me en prose<\/strong> ? Ce genre litt\u00e9raire s\u2019est solidifi\u00e9 durant la p\u00e9riode du romantisme, d\u00e8s le d\u00e9but du 19e si\u00e8cle. Il \u00e9tait une expression du d\u00e9sir de po\u00e9sie, mais non celle des r\u00e8gles strictes, mais de po\u00e9sie comme \u00e9tant une mati\u00e8re \u00e0 exprimer une sensibilit\u00e9 nouvelle, selon les aspiration cr\u00e9atrices que soufflait le vent de l\u2019\u00e9poque.Il est int\u00e9ressant de rappeler qu\u2019alors, des \u0153uvres po\u00e9tiques, comme Le Lord des \u00eeles<\/em> de W. Scott, \u00e9taient traduites en fran\u00e7ais en prose qui avait pour ambition de restituer l\u2019\u00e2me po\u00e9tique de l\u2019\u00e9crit, qui essayait de reconstruire sa rythmique et de ne pas \u00e9pouser la lin\u00e9arit\u00e9 d\u2019une prose \u00ab normale \u00bb. \n

<\/p>Quelles sont les caract\u00e9ristiques d\u2019un po\u00e8me en prose ? Texte bref, paragraphes courts, pas de rime, effets sonores et la rythmique affirm\u00e9e, caract\u00e8re onirique, emploi des figures de discours s\u2019\u00e9loignant d\u2019un r\u00e9cit ordinaire, une mise en page comportant des blancs typographiques pour rappeler l\u2019architecture en strophes d\u2019un po\u00e8me etc. \n

<\/p>Comme \u0153uvre fondatrice du genre est consid\u00e9r\u00e9 Gaspard de la nuit<\/em> d\u2019Aloysius Bertrand (publi\u00e9 en 1842 \u00e0 titre posthume) dont le style a inspir\u00e9 Baudelaire pour ses Petits po\u00e8mes en prose<\/em> (publication, \u00e9galement posthume, en 1869). \n

<\/p>Il est certain que Marceline Desbordes-Valmore n\u2019a pas \u00e9t\u00e9 indiff\u00e9rente \u00e0 ces nouveaut\u00e9s stylistiques et qui avaient d\u00fb l\u2019inspirer pour concevoir les textes publi\u00e9s dans le pr\u00e9sent eBouquin.\r\n \n

L\u2019\u00c9diteur<\/em><\/p> \n

<\/p>

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[vc_row][vc_column][vc_column_text] Pr\u00e9face \u00e0 „Une plume de femme” de Marceline Desbordes-Valmore Nous vous proposons trois textes de Marceline Desbordes-Valmore (1786-1859), publi\u00e9s dans des contextes \u00e9ditoriaux divers, qui rel\u00e8vent, formellement, de la po\u00e9sie en prose. Le texte Une plume de femme est la pr\u00e9face au recueil de la po\u00e8te Bouquets et pri\u00e8res paru en 1843.…<\/p>\n","protected":false},"author":1,"featured_media":3242,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[426,463,464],"tags":[467,468],"class_list":["post-3456","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artykuly-po-francusku","category-prezentacja-pl","category-przedmowa","tag-poezja-klasyczna","tag-przedmowa"],"acf":[],"yoast_head":"\n"Une plume de femme" de Marceline Desbordes-Valmore \u2022 Pr\u00e9face<\/title>\n<meta name=\"description\" content=\""Une plume de femme" de Marceline Desbordes-Valmore \u2022 3 po\u00e8mes en prose \u2022 Pr\u00e9face du livre \u2022 Collection Bel eBook \u2022 Les \u00c9ditions Toute Chose\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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